01
ATEM Camera Control
Up to eight cameras shaded at once — iris, gain, white balance, and color phase, from the room or remotely.
All studios
166 sq. ft.Broadcast control room & remote production hub
L6 Control Room
Not a laptop on a cart. A real control room for real-time production.
20
Camera inputs
8 cams
Shaded simultaneously
4K
HyperDeck ISO recording
REMI
Feeds anywhere in the world
L6 Control Room at a glance
Not a portable switcher setup. Not a rented production truck. A permanent, engineered broadcast control room — hardwired to every stage and suite in the building.
Live from the booking calendar
02
HyperDeck Studio 4K Pro
High-bit-rate 4K recording to SSD or SD, isolated feeds for post, and roll-ins during a live show with timecode sync.
03
SmartScope Duo 4K
Rack-mounted waveform, vectorscope, and RGB parade so engineers hold true broadcast standards on every feed.
Inside the space
Our control room supports
- 20 camera inputs
- Live switching
- Multi-view monitoring
- Program recording
- Audio routing
- Streaming integration
- Graphics playback
- Remote guests
- Client monitoring
- Studio communications
- Technical director position
- Engineer position
Remote production ready
Your team can be in Tampa, New York, London — wherever.
We route video feeds, program feeds, and monitoring outputs to directors, producers, agency teams, clients, or control rooms anywhere. Connected to Studio G and Studio A — no trucks, no temporary control room, no starting from scratch every shoot.
Studio GStudio ALivestreamsSports media
Base rates
Straightforward pricing.
The first hour comes with the room already prepped and ready to hit record or go live.
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Podcast Studios
Multiple rooms
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Production Spaces
Included